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SONG: O BAALAM TERE PYAAR KI THANDI MUSIC:NAUSHAD LYRICS:SHAKEEL BADAYUNI SINGERS:MOHD RAFI,ASHA BHOSLE MOVIE: RAM AUR SHYAM 1967 DILIP KUMAR MUMTAZ WAHEEDA REHMAN Ram Aur Shyam is a 1967 Indian Hindi feature film, directed by Tapi Chanakya. Its producer B. Nagi Reddy previously produced Ramudu Bheemudu, a Telugu film starring N.T. Rama Rao, in 1964; Ram Aur Shyam is Nagi Reddi's Hindi version. Ram Aur Shyam has music by Naushad and lyrics by Shakeel Badayuni, it stars Dilip Kumar (in his first dual role), Pran, Waheeda Rehman, and Mumtaz. The theme owes its origins to Alexandre Dumas, père's story The Corsican Brothers: twins separated at birth who grow up with very different temperaments and then exchange places, leading to the villain being taught a lesson. Like The Corsican Brothers, which has been adapted into several feature films, Ram Aur Shyam has inspired remakes in Hindi movies too, with Seeta Aur Geeta (featuring female twins, played by Hema Malini) in 1972; Chaalbaaz (starring Sridevi) in 1989; and Kishen Kanhaiya (starring Anil Kapoor) in 1990.
The Legend, Ustad Bade Ghulam Ali Khansaheb singing two very famous thumris: 1. Aaye Na Baalam 2. Yaad Piya Ki Aaye [Note:although is is already in my channel, I had to upload it again.] Ustad Bade Ghulam Ali Khan, inherited the musical parampara (tradition)of Punjab that encompassed the Hindu, Muslim and Sikh religions.Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song)is sung even today, was buried in Kasur, Ghulam Ali's birth place. The shepherds, wandering in the hills,sang in praise of Hazrath Ali andHussain -- grandsons of Prophet Muhammad -- in melodies akin to classical Indian ragas. The shabads and qawwalis of the Sikhs were often based on ancient Dhrupads and Khayals, again Indian classical ragas. In the biography of Bade Ghulam Ali Khan, authors Malti Gulani and Quratulain Haider have paid a rich tribute to the maestro.Ghulam Ali's uncle and guru, Ustad Kale Khan,was himself trained in the Patiala school of music (Patiala gharana); he taught the young Ustad simple compositions. In 1911, Ghulam Ali accompanied Kale Khan to Delhi, at the age of 9, and watched him perform at the 'Dilli Darbar'. Thus began the grooming and development of the musicalpersonality of the young disciple, alongside rigorous taleem (training) under his uncle's baton. Later after a brief acquaintance with ucknow and its highly refined soirees, Ghulam Ali returned to Lahorewith his father and resumed his nightly riyaaz (practice)on the banks of the river Ravi. Singing all night not only developed his stamina, but also gave him the rare sensitivity to gauge the external response. In 1932, he lost his wife Allah Jiwai. His grief, poured into melody, gave birth to the immortal thumri: Yaad piya ki aye,reflecting the very trauma of his heart. On arrival in Mumbai in 1940, Ghulam Ali thrived under the benign patronage of the noted singer Ganga Bai. A Sufi at heart, he was once greatly moved by the poem Hari Om Tat Sat, and rendered it musically in the haunting raga Pahari. Years later, he explained, "God, Truth and Haq is one. I've Allah in my mind when I sing these words...Different people in the world have different names for the Supreme Being who is 'One'. In 1947, he visited Afghanistan at the invitation of King Zahir Shah and re-established the splendid rapport in music between the Afghans and Indians,where the Afghan string instruments like Rabab and Santoor were part of the Hindustani ensemble. Many Indian musical instruments still retain their Persian roots, such as Tabla, derived from Persian tabla;Sitar meaning seven strings and Dilruba being a longer version of Sarangi.The Partition in 1947 dealt a severe blow to the composite culture of the Indian subcontinent. But Ghulam Ali at a concert organized by Radio Lahore sang his own composition in raga Mian ki Todi: Ab Mori Raam / Raam ri Daiyyan (Ram is my only solace). In 1951, he was invited by Morarji desai to have Indian citizenship and sing at concerts all over thecountry. According to the cognoscenti,earlier the Ustad's singing was like the sound of the waterfall striking against the mountainside and rushing with great force to mingle with the ocean; now it resembled the vast ocean itself whose might and depth was unfathomable! In 1963, Ghulam Ali shifted to Kolkata where he was frequently invited to sing before highly appreciative audiences. He would say: Maharashtrians are great connoisseurs of classical music, with their approach being technical and academic. The exuberance, which the people of Kolkata show, is characteristic of their emotional and artistic nature!It is in Kolkata that he took young Malti Gilani (singer and later his biographer) as his gunda-bund shagird (committed disciple). She has noted how the open house atmosphere prevailed at the Ghulam Ali residence - reminiscent of the Sufi Khanas and hospices of the Middle Ages. In such places -- as even in the Dargahs today -- a cauldron of rice was always being cooked for the yraveller and food distributed to the rich and the poor alike! In this respect, theSufis of Islam, the Bhaktas of the the Vaishnava cult and the Catholic mystics of the Medieval Europe - they all shared a similar spirit of tolerance and bonhomie. After having accomplished a lot, Ghulam Ali breathed his last in 1968 in Hyderabad -- far away from the green wheat fields of Kasur on the eastern seaboard of India. That he always took his listeners on an inward journey of musical understanding and fulfillment remained true to his last day. This biography provides an insight not only into the music of Ustad Bade Ghulam Ali Khan but into the history of Indian classical music at large. *** http://www.youtube.com/watch?v=jCrzVnHSYoQ http://www.youtube.com/watch?v=-ZJlzgs5bUo http://www.youtube.com/watch?v=IMQtmYUv-ig
Singer: Lata Mangeshkar Movie: Jagir Year: 1959 Music: Madan Mohan Lyrics: Raja Mehdi Ali Khan Cast: Meena Kumari, Premnath
RAJATA MUGHDA VIDEO WITH FILM 'DOR' SONG 'KESARIA BAALAM AAO JI PADHARO MHARE DES (O SWEETHEART WELCOME TO MY LAND) WITH PRITHVIRAJ CHAUHAN SERIAL SCENES I LIKE DRUM BEATS USED IN SONG IT MAKES GREAT IMPACT ON VIDEO
Ka karoon Sajni... sung by Thahseen with Sariga Orchestra New York. Accompanied by - Sabu Antony (Keyboard), Salu James (Bass Guitar), Roni (Drums), Umesh (Congo Drums)and Lalji Sebastian (Tabla). Audio and videography - Francis.
I just love this song an it suits the current situation of prem and heer very wel...ENJOY!!!
Jan
6
Pixie gets over-ambitious with her rough guitar playing and writes an original song. Lyrics w/ translation: Baalam mohe chedo na (oh my love, don't tease me so) Man naazuk hai bada humra (This heart of mine is very delicate) On the first step we met On the second we lost our heads On the third we've got to wait On the third we've got to stop Before we fall...fall.. Jiya mein tore, kya bas gaya? (What's gotten into your head?) Maan naazuk hai bada humra (My heart is very delicate) Baalam mohe chedo na Phele the hum mile phir hum dono ke sar phire (First we met, then we lost our heads) Khayaal aya der se, ke hum isko ab rokle (The thought came to us too late, that we should stop this) Jo hona hai vo roklein (Stop what's about to happen). Baalam yeh maan kho gaya (My love, I've lost my heart) Ab, darr lage humko bada (Now, I'm very scared) Baalam mohe chedo na (Oh my love, don't tease me so)
A unique folk song live performed during jaisalmer visit
A beautiful song from a forgotten film. Zeba looks very beautiful.
What beautiful rendition by Ahmed Rushdi. I had totally forgotten this enchanting song, and with me, so many others must have too! Ofcourse, Zeba looks ravishing...but when doesnt she??
Jan
6
one of my favorite songs. Singer: Mohammad Rafi Saab Lyrics: aaye naa baalam vaadaa kar ke aaye naa baalam vaadaa kar ke thak gaye nainaa dhiraj dhar ke aaye naa baalam chhup gayaa chandaa lut gayi jyoti taare ban gaye jhuuthe moti pad gaye phike rang najar ke aaye naa baalam aao ki tum bin aankhon men dam hai raat hai lambi jivan kam hai dekh luun tum ko main ji bhar ke aaye naa baalam (The lyrics are copy and pasted from HindiLyrix.com )
Jan
6
I shot this video in Bikaner, Rajasthan (India). This old man was sitting on the corner of a railway crossing. I hope anybody who could understand the song will enjoy :) Cheers!!!
Dr. Ravi Wankhede sings at his home on harmonium
Naheed Akhter sings for Babra in Hasan Tariq's diamond jubilee hit film "Sangdil". Nadeem played double role. Bindiya was in supporting role.
Sankaran namboodiyar About the artist: http://www.hinduonnet.com/thehindu/mp/2004/02/12/stories/2004021201040200.htm
This Song is a semi clasical song from Film "Swami" and sung by one of my favourite singer "Yesudasji"
Jan
6
